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Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

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When a marriage is threatened by a long excursion for work, domestic trouble is buffeted by family and friends.

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In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

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In the early 20th century, an independent lady from up North causes a scandal when she decides to wed an older local general-store owner just three weeks after he's been widowed.

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A young man coming to terms with his future, as well as the impact he has on those around him. After a devastating break-up, John, begins taking a mysterious drug that allows him to see his ex-girlfriend as though she never left. As time goes on however, he realizes that this imaginary woman has little in common with the person he used to know.

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To celebrate their engagement, Thea takes Jashan home — but his Indian roots and her family's Norwegian traditions clash in a chaotic Christmas.

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Pola is a beautiful but poor girl, a locksmith's daughter. Unexpectedly, she's successful as a stage dancer. After her success, she breaks with her fiancé and becomes the lover of a rich admirer. However, the fiancé does not accept her departure.

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A teen couple plans for a night in private when the boy’s parents are away. At first it appears as a cosy night of sofa lounging, snack eating and film. But it soon becomes evident that beneath the façade of relaxed mutuality, there is a relationship based on insecurities and demands. Due to a fight, the parents cut their evening short, and when they return, the situation gets out of hand and feelings of hurt lead to abuse. Adolfsson paints a gruesome picture of adolescent love and how fears and expectations can completely override a young person’s will.

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Dewey goes to his local insurance office to set up a plan, but didn't intend on a new girl there as the secretary. He decides he'll try and be a smooth operator and have a normal conversation with her. But what about her boss?

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Leo, a lonely, anxious pizza delivery guy, stumbles upon John, a mysterious taxi driver seeking lonesome souls. This unusual encounter throws the young man into a dizzying delirium, disrupting his blossoming romance with Rita. As the leaves start falling from the trees, days are getting shorter, and the cold is settling in... Luckily, the first flames of love warm Leo’s heart. But beware: if you play with fire, you might get burned.