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During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame.

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Miles Machree (J. Warren Kerrigan) meets Irish-American Sheila Lynch (Fritzi Brunette) when she travels through Ireland with her father (James O. Barrows). Soon after the Lynch's return to the States, Miles follows, and through his uncle's connections, gets a job on the New York City police force.

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Richard "The Imp" Audaine is a clever but dissolute orphan whose guardian and friends are trying to lead him from the path of ruin and back to his senses.

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Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

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English hellraiser Richard Farrington is sent by his wealthy titled parents for a visit to his aunt and uncle in Long Island, New York. On the ocean voyage, Richard meets Betty Winthrop, the ward of the wealthy Van Allen family. Introducing himself he mistakenly gives her the card of John Smithers, a conman who cheated him at cards in London. He follows Betty to the Van Allen estate, where he hears her declare that she would rather marry an American criminal than a weakling English aristocrat. Determined to win her over, he pretends to be Smithers, but things don't turn out exactly the way he planned.

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A girl needs to marry by a year to get her aunt's money but her fiancé has left. After getting permission from her godfather for a "white wedding," she realizes she loves the godfather instead.

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Jonathan Jinks, a man known for his charm, gets into a bet about seducing opera star Aurelia Trentoni, leading to a series of comical misunderstandings and a secret engagement before a happy resolution.

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As early as 1919, Russian Communists (then known as Bolsheviks) were convenient movie villains. This heavy-handed comedy uses the Russian revolution as an excuse for a series of slapstick set pieces.

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The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

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