Overview

A group of amateur filmmakers head into the forest to shoot a documentary on the legend of what may or may not be a mutant rabbit monster.

Overview

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

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American religious extremism collides with independent filmmaking when Harmony Hope Bryant sets out to create a cautionary movie about the dangers of roleplaying games.

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Documentary about the lives of worshippers from the congregation of the Greater Bethany Community Church in South Central LA and the sermons of its Bishop Noel Jones

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The story of Michael and Richard Henderson, two stepbrothers from West Virginia who saw an opportunity in the burgeoning VHS market in the 1980s and made their own backyard horror movies, "The Curse of Stabberman" and "Cannibal Swim Club." These films would've been long forgotten, but a recent resurgence in horror fans collecting rare VHS tapes has put the Henderson Brothers back in the spotlight. Thanks to their biggest fan, they're sitting down for their first on-camera interview and looking back on their movies - but they might not be as good as they remembered!

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Marias is a film about the feminine. Visiting the celebrations of the Virgin Mary's (Marias) from Brasil, Cuba, México, Peru and Nicarágua, the director Joana Mariani observes the similarities and disparities among their cultures, and listen to women who have their very particular stories about life, faith and devotion. The result is a very singular film that shows that the image of the Virgin Mary (Maria) is a lot more than a religious figure or the mother of Christ.

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ASUANG, the God of Sins, was once a ruthless and fickle God of Bicol, but now he is a loner and a loser who has no place in the world that is overrun by sinful human beings. He resorted to social media to regain his former glory and fame but to no avail. On his track to retirement, he was approached by the Seers to help them stop Armageddon. Along with a group of sinful misfits, Asuang will go on a quest, against his nature, to help mankind… Or so he thinks he will.

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FaZe Rug moves into a new home, unaware of the creepy clowns who live next door.

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Habana Shakes takes us on a rhythm-filled odyssey spanning ten vibrant days in Havana, a pulsating island city teetering on the edge of transformation. Infused with a lyrical heart, this is not just an homage to Cuba's spirited culture but also provides an intimate window into the dynamic worlds of Cuban youth. Through the eyes of a skater, a tattoo artist, an actor, a ballerina and an electronica DJ, we find ourselves asking: What aspirations do these young Cubans hold for their nation and future, and how might these differ from or echo the dreams and hopes of their parent’s generation?

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Knocking opens the door on Jehovah's Witnesses. They are moral conservatives who stay out of politics and the Culture War, but they won a record number of court cases expanding freedom for everyone. They refuse blood transfusions on religious grounds, but they embrace the science behind bloodless surgery. In Nazi Germany, they could fight for Hitler or go to the concentration camps. They chose the camps. Following two families who stand firm for their controversial and misunderstood Christian faith, KNOCKING reveals how one unlikely religion helped to shape history beyond the doorstep.