Overview

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

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A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.

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In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.

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Delves into the history of the most extreme and shocking films that have ever been made. chronicles the timeline of Red Films: those films that are too extreme for the mainstream and historically have been circulated via the bootleg circuit.

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Haunted by three unfinished films, a filmmaker seeks to demystify his relationship with failure through encounters with past collaborators.

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Tells the story of Tucson and the legendary movies that were shot there.

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Author Lee Clark Mitchell discusses the Western genre and literature.

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Interview with critic Molly Haskell about Hawks and Red River

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Interview with filmmaker Peter Bogdanovich about Red River and the two versions of the film.

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Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.