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Jimmy Duncan is a film director working on his fourth film but things are not exactly going as planned.

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Two documentarians settle into a small town and persuade a few hillbilly locals to help them find the sole survivor of a massacre.

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Victor accidentally sends a compromising email to his nagging boss. With the help of his office crush and a clueless friend, he'll try to save his job while having to deal with a rook hacker the porn industry, a children's online game and Smiley, the company mascot.

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Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

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A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

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Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.

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A TV crew visits the remote Bosnian village of Blervici to film their cooking show, drawn by its rustic charm. Their host, Meho, impresses them with a mysterious traditional dish. However, a sudden rainstorm traps them overnight, and they reluctantly accept Meho's hospitality. As they discover his dark secret, what began as a routine shoot turns into a fight for survival against an ancient evil.

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El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.

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In this Christmas-Horror Anthology, a family's movie night on Christmas Eve is interrupted by a stranger, insistent on making the next Christmas 'classic' film himself. Directed by Robert Livings and Randy Nundlall Jr (INFRARED).