Overview

Vampire Jami and her keeper, Bo, are living a happy life until beautiful, young, vampire Teagan bursts into their lives and turns their world upside down.

Overview

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

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Dracula and Renefield relocate to '70s era New York in search of Cindy Sondheim, the reincarnation of Dracula's one true love, Mina Harker. "Trouble adjusting" is a wild understatement for the Count as he battles Cindy's psychiatrist, Jeffrey Rosenberg, a descendant of Van Helsing, who may almost certainly, possibly, may be in love with Cindy too.

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A simple yet proud rancher conspires to murder his wife for financial gain, convincing his teenage son to participate.

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A young man slowly realizes that he has become the chosen target of an ominous supernatural presence. As he scrambles to stop it, he realizes there is more to this haunting than meets the eye.

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Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn's father, she politely claims that he's in the city on business. But when the landlady's creepy and increasingly persistent son, Frank, won't leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she's been keeping to herself.

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When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.

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Teenagers encounter a sorceress and her minions.

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Unperturbed by the disastrous outcome of his previous meddling with the dead, Dr. West continues his research into the phenomenon of re-animation; only this time, he plans to create life – starting with the heart of his young protégé Dan's dearly deceased Meg Halsey.

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When Maureen Coyle, a suicidal nun who resembles Norman's former victim, Marion Crane, arrives at the motel, all bets are off and "Mother" is less than happy.