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At the beginning of the Meiji era, Sayoko, the daughter of a large banker in Tokyo, comes to Sotobo's villa for the first time in eight years, guided by her student, Yasu. In fact, Yasu is the son of Keizo Naya, the keeper of this villa. His father and older sister, Kyoko, live quietly in this place, where people rarely visit, like recluses. Sayoko, who grew up sickly and full of selfishness, treats Yasu, who has feelings for her, like a slave, blindfolds him, makes him help her change clothes, and makes him imitate Sansuke in the bathroom.

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Lila, a famous retired singer, loses her memory after suffering an accident, just as she planned her return to the stage.

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Floating Vessel (源氏物語 浮舟 , Ukifune) is a 1957 color Japanese film directed by Teinosuke Kinugasa. Drawn from parts of the famous Genji monogatari by Lady Murasaki.

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In the dawn of the Meiji period, the Gokumonjou, an inescapable prison, has been established in the middle of an enormous lake to counter the soaring crime rates the new era has brought. Serving as the ferrymen are the famous Kumou brothers: the eccentric family head, Tenka; the reckless but noble second son, Soramaru; and the guileless youngest, Chuutarou. In spite of their grim work, the three lead relatively peaceful lives in the ever-cloudy town of Oumi, together with their housekeeper, Shirasu Kinjou. But buried in the long history of Oumi is the legend of the terrifying "Orochi," a serpentine beast that awakens every three hundred years in a human vessel. Unbeknownst to Soramaru and Chuutarou, the actual job of the Kumou family is to seal the Orochi away before it fully revives—or the world will be plunged into destruction. Amid the monster's next resurrection, the Kumou family must find the resolve to keep laughing under the clouds.

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Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

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In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.

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Fed up with boarding school and frustrated with the way others have planned his life, John Baker Jr. wants a change -- anything to shake up his staid routine. The moment arrives when he stumbles upon a woman, Patty Vare, unconscious in a field. Deciding to risk it, John takes her to his dorm to look after her, much to the disapproval of his friends. John's decision proves fateful as he and Patty grow close to one another. However, she may be keeping secrets from him.

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Sophie is a troubled young girl, haunted by the abuse she suffered as a child and harbouring a deep fascination with the unexplained. In the hope of satiating her obsession with the latter, she instigates a trip to the Welsh countryside with four friends, aimed at tracking down the legendary Beast of Bodmin. It seems the mythical creature – often thought to be a large wildcat or fox – has caught the public's attention once more thanks to a spate of attacks on livestock and one local farmer. Armed with a video camera and a case of beer, the group head off into the woods but they soon uncover much more than they bargained for, with Sophie falling foul of a mysterious madman who locks her away in an apparent attempt to protect her from some unnamed terror.

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Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.

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In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.