Overview

Paris, 1977. Eleven year old Stella knows poker better than grammar when she starts the year at a prestigious new school. There, she discovers the possibilities of a whole new world outside her parents' bar.

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After starting at an upmarket boarding school, a teenage girl forms close friendships with her two older roommates. However, when she discovers that her new friends are lovers she finds herself caught in a complicated situation.

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It's 1989, and in a Belfast torn apart by conflict and terrorism, petty criminal Marty McGartland is recruited by the British police to infiltrate the IRA. Guided by Special Forces officer 'Fergus', McGartland gains unparalleled insight into the organisation's dealings, providing his British handler with priceless, life-saving information. Based on a true story.

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When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised land is South Africa and make their way there. Once there, they discover the hardships that are the reality of the homesteader experience.

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One night, Pierre decides to reveal his painful secret to his daughter-in-law, who's just been abandoned by her husband. Pierre's secret is about his secret love to Mathilde, the woman he left to instead follow an easier path in life.

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In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.

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When Jill Godmilow’s movie Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.

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Four fragile young people flee London to start an unconventional utopia, creating a world of fantasy that overwhelms them.

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Spike, an aspiring rapper, gets sucked into a criminal environment and ends up in jail for smuggling drugs.

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The story of a young girl who escapes her reality by immersing herself in a watery version of the world.