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A couple from North Preston, Nova Scotia plan an elaborate wedding with dozens of bridesmaids.

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Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.

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Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.

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Barack Obama launched into our national consciousness at the 2004 Democratic National Convention and ever since, he's delivered messages of patriotism, unity, and hope through the power of words. But of all the speeches he's given, six in particular may define his legacy as, in historian Doris Kearns Goodwin's words, "one of the best writers and orators in the presidency." Interviews with eminent historians and key figures in his writing process give rare insights into these iconic speeches, as well as the Obama presidency and the man himself.

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When Lost premiered on September 22nd 2004 it redefined television in a way that only a few did before. The way it came into existence in the first place might however be just as interesting as the show itself. This is the story of the Lost pilot.

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For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

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Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.

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Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.

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Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.