Overview

Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.

Overview

Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.

Overview

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

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Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

Overview

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Overview

In this short film's four segments, "Bowery Beautician", "Chutes", "Home Brew", and "Girth Control", the viewer is shown how certain conveniences and inventions aid the user.

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Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Overview

Short film directed by Walter Knoop

Overview

Plotless and wordless, beautifully edited shots of young (often naked or semi-naked) people in various positions, illustrating different emotions, actions and situations, underlined by rock music.

Overview

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.