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Overview

"Temazcal, the documentary" is the final result of over a year of collecting audiovisual material from the emerging Seville-based band Cuñados Invisibles. It offers a look through videos, images, and interviews at what it's like to form a music group from scratch, as well as the creation process of their first album, "Temazcal".

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Casablanca emerged from a sensitive look (and listening) from a characteristic place on 3rd street in the center of Goiânia. With a territorial approach through a biographical perspective, the documentary tells the storys of the lives of Zardos and Iara that today allow places like Casablanca to continue to exist in a big city. On Thursdays, at 8 pm, what during the week was just a pizzeria, becomes an environment where bolero goes beyond the corners.

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An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.

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The official first ever solo concert of the filipino girl group BINI since debut after three years. BINIverse: The First Solo Concert was BINI's debut solo concert held on April 8, 2022, at the Smart Araneta Coliseum in Quezon City, Philippines. The concert showcased the Filipino girl group's talents, performing hits like "Born to Win," "Kabawi," and "Lagi."

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"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.

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The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer.

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The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.