Overview

Donal MacIntyre investigates the secretive world of white power music and how the money made helps fund far right political organizations in many countries, including the British National Party in the UK. In this documentary, the crew gained access to the men and women behind one of the most disturbing musical movements. It reveals how British neo-Nazis and skinheads plan to launch 'Project School-Yard' in Britain after a similar scheme was tried out in the United States. In the UK, the team follows one of the most infamous British white-power bands, Whitelaw, as they prepare for one of the biggest gigs of their career. The band are filmed on stage, with riot police surrounding the venue, performing as the forces of law and order move in to shut down their hate-filled act. The film also contains shocking images of hate rock concerts in the USA where, thanks to the first amendment protecting freedom of speech, anything goes.

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VH1 uncovers the frightening allure and danger of skinhead rock, a key recruitment tool in the U.S. white power movement. You'll hear from the bands and their fans, and learn the remarkable story of George Burdi, a hate rock pioneer who now plays in a multicultural band in Toronto. We'll also examine the rock against racism movement, revealing a battle for the hearts and minds of young music fans.

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A group of small-town boys has prepared to beat up on this boy named Haoran for a long while. Belligerent and energetic. They tried every trick to catch him in vain including hunting him in the classroom and ambushing him on his way home. These little rebels fooled around each day, smoking, running away from their homes, and chasing after an impossible target. But who is this mysterious Haoran?

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Bastien is twenty years old and has been an activist for five years in the main extreme right party. When the presidential campaign begins, he's invited by his superior to commit even further. Initiated into the art of decking himself out like a politician, he starts to dream of a career, but old demons surge forth...

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Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

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Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.

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In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.

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Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

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Documentary about the construction of Thy Lejren in 1970 - an alternative summer camp. Features concerts by bands such as Gasolin' and Gnags.

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Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.