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Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

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One evening, in his apartment in Paris, Lorenzo is getting ready to receive Marvin for the first time, a boy he really likes. Marvin shows up at the door with Thomas, a homeless man he met on the street in need of a shower. Lorenzo doesn’t dare say no.

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Laura, an alcoholic single mother believes in God but her faith is only nominal. Her trans-humanist son Max, who is convinced that soon the scientists will be able to resurrect dead people, tries to freeze his dying grandfather (Laura's father) in order to save him. These events shake Laura's life to the very core and help her to renew her faith and resurrect her spirit.

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João and Pedro are cousins who meet for the first time since their childhood. They're dealing with the inheritance of their grandfather's farm, which is about to be sold to an industrial sugar mill. While they sort out the matter, forces of nature beyond their control will unravel unfinished issues between the pair.

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A susceptible teenager, in trying to escape the tumult of his home, drowns himself in alcohol, drugs, and parties. Based on a true story.

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Pari, a 14-year-old girl, dreams of becoming a pilot while growing up in a society that doesn’t allow her to dream.

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A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.

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Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.

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In this short film the audience is confronted by one young man and his reaction to text messages received from other guys on different gay dating apps. It explores communication between gay men today and the use of dating apps.

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