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Miles Machree (J. Warren Kerrigan) meets Irish-American Sheila Lynch (Fritzi Brunette) when she travels through Ireland with her father (James O. Barrows). Soon after the Lynch's return to the States, Miles follows, and through his uncle's connections, gets a job on the New York City police force.

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The Simpsons go for a picnic in the woods. After luncheon, while mother and father enjoy a nap, Betty, their beautiful daughter, strolls away, picking flowers. When near a hillside, Betty sees a snake and screams. She starts to run away, but bumps into Billy Gilwater. He kills the snake and Betty calls him a hero.

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Directed by Max Urban.

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At the circus, Betty takes a notion to a baby elephant and induces her father to buy it. He takes it on a week's trial. Betty discovers that it is too big a plaything and it is returned. George, her fiancé, hoping to please her, goes to a costumer's and hires an imitation elephant outfit. He induces two of his friends to fill the front and hind legs.

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One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

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Floss Brannon, expelled from college for mischievous conduct, marries Chester Framm, a struggling young student who aspires to be an orator. When Chester's salary as an insurance clerk proves insufficient for the couple's needs, Claire invents a complexion cream called "Angel Bloom." Deciding to combine Chester's oratory prowess with the promotion of Angel Bloom, Floss rents an elephant, coats it with the cream and plans to have Chester pitch the product from the back of the animal.

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A husband, jealous of his wife's flirtations with another man, hatches a plot to make his wife jealous.

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Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, World War III breaks out and life has been wiped off the surface of Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.

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Irene and Helen are worshipers at the shrine of Frangiapani, the tenor of the hour. When he sings at a concert, they meet in Irene's room, take the printed program of the concert, and one of them plays the accompaniment of the song he is actually singing. Irene sees an advertisement for a maid and waitress at Madame Frangiapani's home. The wild thought enters her brain that if she applies and gets the position, she will be nearer her adored. She puts the plan into execution, gets the position, and is waiting for the signor to appear. He does appear in a towering rage, at an adverse criticism in a paper which he is holding in his hand. His wife tries to soothe him and treats him like a little, unreasonable, bad-tempered child.

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Handle with Care is a 1922 silent comedy of marital complications and mix-ups.